Dark Reprise: While 1992's 'One Jump Ahead' had one of these reprises depicting Aladdin's desires for a richer life, this version not only retains this song, but also adds another reprise, where Aladdin begrudgingly accepts having to tell Jasmine the truth, despite the potentially damaging consequences.

Aladdin points out that people will still recognize him if he marches into Agrabah wearing different clothes, so Genie adds a Glamour to the prince disguise that'll keep people from identifying him.

Clark Kenting: Lampshaded and averted.

Chekhov's Skill: His Le Parkour skills come in handy when rescuing Abu from an icy crevasse.

Bonding over Missing Parents: When Aladdin and Jasmine first talk properly in his hideout, she talks about losing her mother years ago, and Aladdin in turn opens up about losing his parents at a young age.

Book Dumb: His lack of formal education works in his favor when he meets Genie, who realizes that Aladdin's lack of preconceptions about what he could do with his wishes presents an opportunity to guide him down a better path than Genie's previous masters, which is why he is not the Jackass Genie he could be otherwise.

Becoming the Mask: Despite Genie repeatedly telling him that Prince Ali is a stepping stone to reaching Jasmine, Aladdin starts to appreciate the rich life and sees Ali as a crutch he has to hold onto.

Ambiguous Syntax: He asks Genie to make him a prince, and Genie demonstrates how this request can be twisted by making a prince for Aladdin out of thin air, instead of turning Aladdin into the prince.

While his animated version had rather conservative apparel, his outfit in the movie has a deep V-neck, giving ample view of his toned chest.

Inverted to a degree with his disguise as Prince Ali.

This one wears a shirt under his vest, and wears shoes now, too.

Adaptational Modesty: The animated Aladdin was bare-chested, only wearing an open vest.

After a talking-to from Genie, however, he has a Heel Realization just in time to discover that Jafar's taken the lamp. To top it off, he expects Genie to be 100% okay with that. While Aladdin in the original film was torn apart with guilt about the idea of breaking his promise to free the Genie, here he practically boasts about it and unapologetically asks Genie for more power.

Adaptational Jerkass: He starts off with the same friendliness as his animated counterpart, but after royally embarrassing himself as Prince Ali, he grows more and more obsessed with the idea of seeming like a proper, powerful prince, and these insecurities drive him to the point of greed.

A street rat who falls in love with the beautiful Princess Jasmine and finds a Genie in a lamp.

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